Back Cover of A Certain Slant of Light

Someone was looking at me, a disturbing sensation if you’re dead.

In the class of the high school English teacher she has been haunting, Helen feels them: For the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen–terrified, but intrigued–is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to possess.

Three Quick Points About A Certain Slant of Light

• Point 1: Classic voice wrapped in a contemporary setting. It felt more like reading historical literature than contemporary fiction, despite its 21st century setting.
• Point 2: James and Helen (once she gets a body) are bunnies. And I don’t mean cute. I mean they like to get down and dirty. A lot. And passionately.
• Point 3: More questions than answers. After the final page is closed, a lot of questions about the meaning of life and death are still lingering in the air, unanswered.

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Yes, it’s been a while. But I never stopped missing the blog and all of you.

I’ve met so many wonderful people in the book-blogosphere that every moment I was away from TIR, I was suffering from withdrawal symptoms.

This month has been a busy/crazy one, without going into details, but things are starting to calm down a little bit and I’ll have more time to devote to reading and writing reviews.

In the meantime, however, I’ve just discovered something I think I love: Pride & Prejudice by Jane Austen. Continue reading »

Back Cover of Boy Meets Girl

Meet Kate Mackenzie. She:

• works for the T.O.D. (short for Tyrannical Office Despot, also known as Amy Jenkins, Director of the Human Resources Division at the New York Journal)
• is sleeping on the couch because her boyfriend of ten years refuses to commit
• can’t find an affordable studio apartment anywhere in New York City
• thinks things can’t get any worse.

They can. Because:

• the T.O.D. is making her fire the most popular employee in the paper’s senior staff dining room
• that employee is now suing Kate for wrongful termination, and
• now Kate has to give a deposition in front of Mitch Hertzog, the scion of one of Manhattan’s wealthiest law families, who embraces everything Kate most despises…but also happens to have a nice smile and a killer bod.

The last thing anybody–least of all Kate Mackenzie–expects to find in a legal arbitration is love. But that’s the kidno f thing that can happen when…BOY MEETS GIRL.

Three Quick Points About Boy Meets Girl

• Point 1: Voyeurism on a whole new level. The entire story unfolds via correspondence such as office emails, forms, IMs, phone messages, lists, and journal entries. Very clever.
• Point 2: Where’d the time go? Since the story unfolds via correspondence, it’s difficult (if not completely impossible) to track how much time has passed. That also contributes to the disingenuous evolution of Kate and Mitch’s relationship.
• Point 3: Predictable ending with a nifty twist. This being the type of book that it is, it won’t be a surprise that girl ends up with prince charming, but it’s the twist at the end that makes it worthwhile.

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Back Cover of I Heart You, You Haunt Me

Girl meets boy.

Girl loses boy.

Girl gets boy back…

…sort of.

Ava can’t see or touch him, unless she’s dreaming. She can’t hear his voice, except for the faint whispers in her mind. Most would think she’s crazy, but she knows he’s here.

Jackson. The boy Ava thought she’s spend the rest of her life with. He’s back from the dead, as proof that love truly knows no bounds.

Three Quick Points About I Heart You, You Haunt Me

• Point 1: It’s really written in verse. OK, I read that it was a verse novel, but I really didn’t know what to expect and true enough, the entire novel, all 200+ pages of it, is one long continuous verse.
• Point 2: So he’s a poltergeist? Sort of. Let me be upfront here and say I expected a creepier haunting (it’s filed under “Spine-Chilling Horror” at Amazon) and it was anything but. Overall though I couldn’t complain.
• Point 3: Short story in book form. This isn’t necessarily a bad thing, but once I finished the book, I realized it could easily be translated into a short story.

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Back Cover of The Lady Flees Her Lord

She’s desperate for peace and safety…

Lucinda, Lady Denbigh, is running from a husband who physically and emotionally abuses her because she is unfashionably plump and has failed to produce an heir. Posing as a widow, she seeks refuge in the quiet countryside…

He’s returned from the wars, wounded and tormented…

Lord Hugo Wanstead, with a wound that won’t heal, and his mother’s and Spanish wife’s deaths on his conscience, finds his estate impoverished, his sleep torn by nightmares, and brand his only solace. When he meets Lucinda, he finds her beautiful—body and soul—and thinks she just might give him something to live for…

Together they can begin to heal, but not until she is free from her violent past…

Three Quick Points About The Lady Flees Her Lord

• Point 1: The descriptions were lush and beautiful. I felt as though I were in the 19^th century countryside along with them and experiencing everything they were experiencing.
• Point 2: There were huge flaws in the character development. Lucinda (Lady Denbigh) is an intelligent and strong-willed woman who somehow manages not to do the first thing most intelligent and strong-willed women would do after fleeing Lord Denbigh and it rang false. Hugo has the weakest “fear” that rang even more false than Lucinda’s actions.
• Point 3: This book was written and edited in stages. As I was reading, I’d go through long stretches without a single noticeable grammatical or spelling error, then I’d come to a patch where there was literally one every other page. It was quite easy to figure out which sections were done at different times.

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